PULSED NONLINEAR SURFACE ACOUSTIC WAVES IN CRYSTALS

R. E. Kumon, M. F. Hamilton,
Yu. A. Il'inskii, and E. A. Zabolotskaya
Department of Mechanical Engineering
The University of Texas at Austin

P. Hess
Institute of Physical Chemistry
University of Heidelberg

A. M. Lomonosov and V. G. Mikhalevich
General Physics Institute
Russian Academy of Sciences, Moscow
 

 Paper 3aPAb6
16th International Congress on Acoustics
135th Meeting of the Acoustical Society of America
Seattle, Washington, USA
20-26 June 1998

J. Acoust. Soc. Am. 103, 2926(A) (1998)

 

 
 
ANISOTROPY IN CRYSTALLINE SILICON

Stress-strain relation for cubic crystal:

sij
 
 
cijklekl+dijklmneklemn
 
cijkl 
 
®
 
 3 Second Order Elastic (SOE) constants 
 
dijklmn 
 
®
 
 6 Third Order Elastic (TOE) constants 
 
 
 
Data for Si elastic constants:
Diamond Cubic Structure:       Crystal Cut in Experiment:

 


THEORY
 
Approach:  Hamiltonian mechanics formalism 
(Hamilton, Il'inskii, Zabolotskaya, 1996)
 

Velocity waveforms in solid:

vj(x,z,t) =  ¥ 
å 
n = -¥ 
vn(x)unj(z)ein(kx-wt) 
 
 
 
Coupled spectral evolution equations:
dv
dx
+an vn = -n2 å 
l+m = n 
lm 
|lm|
Rlmvlvm 
 
 
 
Solve equations numerically:

EXPERIMENT
 
Approach:  Laser-excited thermoelastic SAW generation 
(Lomonosov and Hess, 1996)
 

DIFFRACTION EFFECTS

Measured frequency spectrum at x = 5 mm:

Characteristic frequency: 50 MHz


SIMULATIONS WITH SINUSOIDS
 

Calculated vertical velocity waveforms:

Calculated longitudinal velocity waveforms:


WAVEFORMS AT FIRST LOCATION

Measured vertical velocity waveform at x = 5 mm:

Calculated longitudinal velocity waveform from linear theory:


EVOLUTION OF WAVEFORMS

Velocity waveforms at x = 5 mm:
Velocity waveforms at x = 21 mm:


EFFECT OF RECONSTRUCTION BANDWIDTH

Consider the longitudinal velocity waveforms at x = 21 mm.

Theoretical waveforms with shaded bandwidth of 700 MHz:
 

 
Theoretical waveforms with bandwidth of 3000 MHz:
 


CONCLUSION & FUTURE WORK

Results:

Future work:


File translated from TEX by TTH, version 0.99 with some minor editing by Ronald Kumon.